Godlike Productions: UFOs, Conspiracy Theorists, Lunatic Fringe


Posted on the Godlike Productions General Forum: 

Sarah Palin- Mind Controlled Sex Slave and Personal Computer of Henry Kissinger

Yardfarmer, United States, September 1, 2010, 11:34 PM: “Yes, ever since Brice Taylor (Susan Ford) penned her starling memoir ‘Thanks For the Memories’ where she revealed her bizarre history as trauma abused and mind controlled Beta Sex Slave and personal computer for Henry Kissinger and Bob Hope’s sex kitten, rumor has been rife of other such MKUltra zombies running amuck. Sarah Palin’s big splash onto the national and world stage and especially her close association with Kissinger and Associates have made her a logical and high profile target for this dubious honor.”

Re: Sarah Palin- Mind Controlled Sex Slave and Personal Computer of Henry Kissinger

Hi Cliff, Israel, September 2, 2010, 12:42 AM : “If she is his personal computer, then I’d suggest that Henry upgrade to something with a better processor, or he won’t be able to run Windows Vista Home Basic.”

The Soviet view of publishing


“Publishing, like the other mass media, is regarded by the Soviet authorities primarily as a means for the realization of official policies. The ‘right to publish’ is granted only by the Party authorities, and only to publishing-houses or other organizations (never to individuals), and may be revoked at any time. Party and government organs assume a very direct responsibility for the nature of what is published and for its dissemination, and the Soviet public is encouraged by low book prices and large edition sizes to read the material produced under these conditions. Publishing enterprises are normally expected to cover the costs from sales income (although book prices are fixed by the state), but subsidies are provided to maintain the output of certain types of book at what are regarded as acceptable prices. This applies especially to school textbooks, and to many of the books published in the minority languages of the Soviet Union. The selection and quantity of books to be issued are heavily influenced by the central authorities’ views on the priority to be given to different types of publication, and by available paper and printing resources which are allocated by the government.

Supervision of the publishing industry by the Communist Party is exercised through the Department of Propaganda of the Central Committee, which also has close links with the main censorship organ (Glavlit). Operational control of the industry is in the hands of the State Committee for Publishing, Printing, and the Book Trade, which has the status of a ministry. It directly administers most of the main Moscow and Leningrad publishers, and controls other houses indirectly through its subordinate publishing administrations in the constituent republics. Some important publishers are under the joint control of the State Committee for another public organization, such as the Academy of Sciences or the Writers’ Union. The State Committee is responsible for the economic planning of the entire industry, and also for overseeing the preparation of all publishers’ annual publication plans and for monitoring their fulfillment.”

The Cambridge Encyclopedia of Russia and the Soviet Union, General editors: Archie Brown, John Fennell, Michael Kaser, H.T. Willetts, Cambridge University Press, 1982.

There Will Be Just Two Kinds of People

Kevin Costner was the lead in a 1983 commercial for the Apple Lisa ( Local Integrated System Architecture) personal computer. Dressed in a Canadian tuxedo, he biked into an office with a chocolate lab, walked past a janitor, rode the elevator to his empty desk, turned on his Lisa and took a phone call. “Soon,” a narrator explained, “There will be just two kinds of people. Those who use computers…. and those who use Apples.”

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Narrator: “The way some business people spend their time has very little to do with a clock. At Apple, we understand that business as usual isn’t anymore. That’s why we make the most advanced personal computers in the world. And why soon, there will be just two kinds of people….”

Man(answers phone): “Hi.”

Narrator:  “… Those who use computers…”

Man:  “Yeah, I’ll be home for breakfast.”

Narrator: “…And those who use Apples.”

Ludwig II of Bavaria Dines at Meicost Ettal

Image        Grotto Linderhof

“By the time Linderhof was ready for Ludwig to live in, his manner of life was further than ever removed from reality. He arose at six or seven in the evening and had breakfast, dined at two hours past midnight, supped and retired at dawn. He liked to take his meals alone, but the table was usually set for three or four. Who were the unseen guests? Louis XIV was one, perhaps; a servant once came upon Ludwig saluting and talking to a statue of Louis XIV that stands in the main hallway of Linderhof. (Ludwig believed himself a spiritual heir of the Bourbons because his grandfather, Ludwig I, had been a godson of Louis XVI. He sometimes called Linderhof ‘Meicost Ettal,’ an anagram of l’état c’est moi.) Often the ghostly dinner would take place at Ludwig’s Tischlein-deck-dich, a table copied from one at Versailles that could pop into view, fully spread, by means of machinery that boosted it through the floor. The kitchen had always to be ready for sudden changes in the royal appetite. Ludwig liked kingly-looking food–peacock, for instance, stuffed with forcemeat and truffles and served up with its head and tail feathers. He expected dishes like this to be on hand when he wanted them and thought nothing of advancing or retarding dinner without consideration of the cooks’ nerves. Sometimes he would suddenly decide to dine on a perch amidst the branches of a large lime tree in the garden; or in a mountain hut; or at the Schachen, a hunting lodge designed in a curious blend of Swiss chalet and Turkish kiosk; or in one of several outbuildings that he constructed on the Linderhof grounds–the Moorish kiosk, Hunding’s Hut, or the Grotto.

Hunding’s Hut (destroyed in 1945) was a replica in-the-round of a stage set for the first act of Die Walküre. In the middle was a living ash tree, pierced by a replica of Siegfried’s sword. For the rest, there were a lot of antlers and bearskins, and when the King was in a jovial mood, he and a few favored courtiers would lie about dressed as early Teutons and drink mead out of horns. Game was their principal food; silver jugs in the shape of deer held cream for coffee–which would doubtless have surprised Siegfried–and the salt and pepper shakers were shaped like little owls.”

“Ludwig’s Dream Castles,” Mary Cable, Horizon, January 1961, Volume III, Number 3

Grotto at Linderhof Palace: Softeis, May, 2005

The Shah of Iran and Walt Disney ride the Matterhorn


“Here is the Shah of Iran and his pretty empress in the front seat. And Walt Disney and the pretty hostess in the back.”

The Shah of Iran and his wife the Shahbanou visited Walt Disneyland in Anaheim, California on their  state visit to America. Even in 1962, demonstrators stalked the royal couple.

“They were everywhere, a couple of meters from us sometimes, to the point that my husband had to speak up to be heard. From morning to night they didn’t stop screaming, and they were right beneath the windows of our hotel,” Farah Pahlavi wrote in her 2003 memoirs.

Walt Disney gave them a guided tour of his amusement park, where they rode the Matterhorn bobsled and Disney presented the Shahbanou with an enormous stuffed Goofy.






















Aerial Photograph of the Arch of Ctesiphon, Iraq, 1940


“You may not believe it, but when I was eighteen I used to win prizes and medals from the Royal Photographic Society in London, and from other places like the Photographic Society of Holland. I even got a lovely big bronze medal from the Egyptian Photographic Society in Cairo, and I still have the photograph that won it. It is a picture of one of the so-called Seven Wonders of the World, the Arch of Ctesiphon in Iraq. This is the largest unsupported arch on earth and I took the photograph while I was training out there for the RAF in 1940. I was flying over the desert solo in an old Hawker Hat biplane and I had my camera round my neck. When I spotted the huge arch standing alone in a sea of sand, I dropped one wing and hung in my straps and let go of the stick while I took aim and clicked the shutter. It came out fine.”

Boy: Tales of Childhood, Roald Dahl, Jonathan Cape Ltd. 1984

Photograph: Roald Dahl

Radical Chic

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In 1970, Tom Wolfe published his account of a fundraiser Leonard Bernstein hosted for the Black Panthers in his 13-room penthouse. Don Cox, the Field Marshal of the Black Panther Party addressed a crowd who had just been served Roquefort cheese morsels rolled in crushed nuts and meatballs petites au Coq Hardi by uniformed maids: 

“‘We relate to a phrase coined by Malcolm X: “By any means necessary”… and by that we mean that we recognize that if you’re attacked, you have the right to defend yourself. The pigs, they say the Black Panthers are armed, the Black Panthers have weapons… see… and therefore they have a right to break in and murder us in our beds. I don’t think there’s anybody in here who wouldn’t defend themselves if somebody came in and attacked them or their families… see… I don’t think there’s anybody in here who wouldn’t defend themselves…’

–And every woman in the room thinks of her husband… with his cocoa-butter jowls and Dior Men’s Boutique pajamas… ducking into the bathroom and locking the door and turning the shower on, so he can say later he didn’t hear a thing–”

Radical Chic: That Party at Lenny’s, Tom Wolfe, New York Magazine, June 8, 1970:


Five Decades of “Cosmopolitan” Cover Stories


Since its inception, Cosmopolitan magazine has endeavored to instruct young American woman on the business of life. Possessed of an abiding belief in astrology, the poetry and short fiction in 1970’s January issue are supplanted by YOUR HOO-HA HANDBOOK in January of 2010. Racier than the Ladies Home Journal and Redbook, Cosmopolitan‘s preoccupation remains the process of finding, ensnaring, and pleasing that most elusive and mysterious of creatures: a man.

January, 1970 (cover model Linda Harrison)

Test Your Husband to See If He’s Still the Man You Married  Silicone Breast-Augmentation for Flat-Chested Girls (A Graphic Report)  *  The (Mia) Farrow File  *  Things to Do Now to Stay Young All Your Life  *  Sure Way to Keep Him When He Wants to Dump You Love Poems by Rod McKuen  *  A Short Story by Bruce Jay Friedman Scary Murder Mystery–It Had To Be You   *   84-page tear-out book bonus inside THE COSMO GIRL’S 1970 BEDSIDE ASTROLOGER Your special horoscope–month by month Love Horoscope Your Best Men and How to Win Them! THE STARS AND A MAN’S SEX POTENTIAL Forecast on money, career, travel, health


Screenshot (404)January 1980 (cover model Gia Carangi)

The Myth of the Unemotional Man: Classic Cases of Defrosting  * Raquel Welch: Still the Body–and the Brain. Update on This Stunning Survivor  * Triumphing Over the Tyrants in Your Life   Some Astounding Instances of Faith Healing Doctors Find Difficult to Put Down  George Hamilton: Elegant, Suave, Macho; First Movie Star in Years to Relish the Role  *  Cosmopolitan Sex Survey Tell Us Your Sexual Likes and Dislikes–Results Later, Can You Wait?  *  What You Have to Do to Be a Top Model  *  Fiction Bonanza! Excerpts From Two Mesmerizing Best Sellers: William Goldman’s Tinsel, Barbara Taylor Bradford’s A Woman of Substance   * EXTRA! COSMO’S 76-PAGE ALL-NEW BEDSIDE ASTROLOGER


January 1990 (cover model Cathy Fedoruk)

Stallone Is Putting His Life Together for a Knockout Punch  *  When Your Man Is in Trouble. Coping Without Going Down With Him   In Search of Fertility. A Cosmo Update  Go North, Young Woman. Alaska Is Teeming With Eligible Men    BONUS! COSMO’S 72-PAGE ALL-NEW 1990 BEDSIDE ASTROLOGER

January 2000 (cover model Cameron Diaz)

Bedside Astrologer 2000 Your Cosmo Guide to Men, Sex, Money and More in the New Millennium   *  Sex Tricks Only Cosmo Would Know 20 Earth-Quaking Moves That Will Make Him Plead for Mercy–and Beg for More  *  Super-Sexy Hair & Makeup (Be a 21st Century Fox!)    *   She Put What in Where? Outrageous Diet and Health Regimes That Hollywood Stars Swear By   *  Cameron Diaz on Beauty, Boys, and Kicking Butt  *  When Not to Do It on the Third Date 19,000 Guys Reveal the New Romance Rules  *  6 WORDS THAT WILL MAKE HIM WORSHIP YOU  *   Is Your Skin Aging Too Fast? 7 Simple Ways To Stop the Clock
Screenshot (410)January 2010 (cover model Amanda Bynes)
100% HOTTER SEX Thrill Every Inch of His Body Using a Move No Woman Has Dared to Try on Him *  Revamp Your Closet With 8 Sexy Pieces  *  50 Ways to Have Fun With Your Guy! YOUR HOO-HA HANDBOOK Get a Healthy, Sexy Vagina  *  Outsmart an Attacker (Things You Must Know to Stay Safe)  *   2010 Bedside Astrologer Booklet JUICE PREDICTIONS JUST FOR YOU  *   Amanda Bynes A Secret Side of Her You’ve Never Seen  *  The New Male Sex Habit That Can Hurt a Relationship  *  What You Can Tell From Someone’s Touch

Oral Roberts’ Lucky Number 7


“Oral Roberts also uses transfer of authority in another, more subtle way… and it involves the latent superstitions we all carry with us, in spite of how much we might deny that we are superstitious. Oral’s use of our underlying superstitions is very subtle: he takes advantage of the ‘good luck’ we attribute to the number ‘seven.’

The address of Oral Roberts University is 7777 South Lewis. It could have been any address from 7500 to 8100 on South Lewis because the campus takes up that much space on South Lewis in Tulsa, Oklahoma. However, the number ‘7777’ was chosen.

The telephone number of the prayer tower on the Oral Roberts University Campus is 492-7777. It could have been 492-1111 or any other number. However, the one with the ‘7’s’ was chosen.

When Oral Roberts begins giving sermons to his seminar guests on the ORU campus… the purpose of which is to raise money… one of his sermons will almost invariably contain comments about the powers of the number seven.”

Give Me That Prime-Time Religion: An insider’s report on the Oral Roberts Evangelistic Association, Jerry Sholes, Hawthorn Books, 1979.

Ann Lowe Originals


The Saturday Evening Post said she was, “society’s best-kept secret. Rich women pass her name around… But few outsiders have heard of Anne Lowe.”

Anne Cole Lowe was born in 1898 in Clayton, Alabama, a small town on the headwaters of the Pea and Choctawhatchee rivers. Racist Jim Crow Laws touched every aspect of daily life. The Encyclopedia of Alabama wrote that the formal legal rules of segregation were only a component of the regime. “Some historians list three other important elements contributing to the creation and reinforcement of the status quo: physical force and terror, economic intimidation, and psychological control exerted through messages of low worth and negativity transmitted socially to African American citizens.”

Lowe’s mother was a seamstress for the Governor’s wife; ivory silk taffeta, portrait necklines, and bouffant skirts would all feature in her daughter’s most famous creation. At the age of 14, Lowe married a man named Lee Cohen and moved to New York City, where she enrolled at the S.T. Taylor Design School. She told The Saturday Evening Post that the director “didn’t believe I could learn the things they had been teaching there.”

Unable to find work in New York City, she moved to Tampa, Florida with her son Arthur Lee. “Whites Only” signs restricted their passage into restrooms, churches, restaurants, beaches, and schools. Lowe travelled to the homes of her clients in the backs of segregated buses. Championed by a socialite named Josephine Lee (“No one in Tampa can sew like that!”), Lowe was exclusive from the beginning of her career.

I’ve been as careful about the people I work for as any social climber. I don’t do many dresses, so I have to be selective.”

OliviaShe made dresses for the Gasparilla Pirate Festival, an event African Americans were forbidden from attending. A dearth of biographical information about Ann Cole Lowe has been redressed by the work of a decorative arts historian named Margaret Powell. “[Lowe] described her time in Tampa as, ‘the happiest years in my life and I will always feel that Tampa is my real home. People were so kind and so good to me there,’” Powell told Slings and Arrows, “As a black woman, that just floored me. How could the happiest time in your life have happened in an area where you had to sit in the back of a streetcar and the African-American people in the Tampa City Directory from this period had asterisks next to their names and business to indicate their race?… But she talks about her time in Florida with such warmth! I want to try to find out what made her 10 years in Florida so special to her.”

Lowe moved back to New York in 1928. She had established her signature style, with flowers set on the garment and parallel rows of stitching to create designs. She made dresses for clients at Chez Sonia, Henri Bendel, and Neiman Marcus. Olivia de Havilland wore a Chez Sonia dress to accept an Academy Award in 1947. Lowe had designed and sewed the strapless, pale blue dress with appliquéd flowers down the bodice and skirt, but the label on the back said Sonia Rosenberg.

For twenty years I worked for others. I rode one person after another to glory on my back.”

Wedding DressIn 1953, she was commissioned to make the bridal gown and ten pink silk faille bridesmaid dresses for the wedding of Jacqueline Bouvier to Massachusetts Senator John F. Kennedy. It took eight weeks and fifty feet of ivory silk taffeta to make the dress. Ten days before the wedding the studio was flooded when a water line broke. Lowe bought new material and hired extra assistants. They made new wedding dress, ten bridesmaid dresses, and a dress for the mother of the bride in eight days. She lost $2,200.00 instead of making a $700.00 profit. Her name was mentioned only once, in The Washington Post, where Nina Hyde wrote, ‘The dress was designed by a Negro, Ann Lowe.’

Lowe was slowly recognized for her work in the ensuing decade. Her name finally appeared in the credits of Vanity Fair, Town and Country, and Vogue. In 1960, she appeared in a Saks Fifth Avenue advertisement, and Anne Lowe Originals opened in their Manhattan shop. She was listed in the 1968 Who’s Who of American Women.

Her dresses are preserved in the permanent archives of the Smithsonian, the Black Fashion Museum, and the Costume Institute at the Metropolitan Museum of Art. Despite this, Powell told WDDE Delaware, “very little has been known about her.”

Ann Lowe died in Queens, New York in 1981 at the age of 83. She had witnessed almost the entire twentieth century.

Pursuing hidden history in Delaware Margaret Powell discusses Anne Lowe: http://www.youtube.com/watch?v=CGdkbHrEXl4